"New Moon" Movie Trailer III, at minute 1:08
Hello, Monsieur Desplat...

... and hello, goose bumps!
Did anyone notice?
The trailer starts with the familiar score of Carter Burwell.
Which is good because it makes us feel at home.
But then, when Bella - oops! No spoilers!!
Ok, I try again:
But then, at 1:08 the vibe and feel changes...
smoothly... but you feel it.
First the strings, so sad, so touching - I knew immediately: here comes the frenchman!
And then through the next scenes, the orchestra joines in - strong, dramatical, heartbeat accelerating.
And at last the sacral choirs on top of it - breathtaking!
And all the way, the theme stays the same... it is just building.
And building.
Even this short excerpt of what is to come breathes the depth of a long cultural/musical history of Europe, which hits a nerve within me instantly.
I know right now I will buy the score for sure.
Thanks, Alexandre Desplat, for not disappointing me!
Related posts:
Just for the record: I DID like Carter Burwell's score,
including his idea of Bella's Lullaby.
In a comment to the above blogpost about Alexandre Desplat, I wrote:
To answer your question, I suppose you mean
whether Bella's Lullaby matches the description given in the book?
I honestly think, it doesn't.
While the melody quite has that little edgy course one could expect,
it is lacking the complexitiy of different woven layers and conflicting themes
as described by Stephenie Meyer.
Burwell kept it very simple, or at least Paul Murtha, the arranger did.
It's a beautiful, uncommon and haunting melody, nontheless.
And I think Carter Burwell did an excellent job with the Twilight score overall .
His music was definitely an upgrade to the movie.